Museums and collecting is now a major area of cultural studies. This selected group of key texts opens the investigation and appreciation of museum history. Edward Edwards, chief pioneer of municipal public libraries, chronicles the founders and early donors to the British Museum. Greenwood and Murray provide informative pictures of the early history of the museum movement. Sir William Flower, Director of the British Museum (Natural History), takes a pioneering philosophical approach to the sphere of natural history with relation to museums. Similarly, Acland and Ruskin discuss and explore the relationships of art and architecture to museums.

Practicing Counseling and Psychotherapy: Insights From Trainees, Supervisors, and Clients offers a framework for understanding the counseling and psychotherapy process that can be used in any training program. Clinical examples and discussion questions are included throughout the book, and are based on a large-scale empirical study that qualitatively and quantitatively examines the experiences of trainees, clients, and supervisors. This volume is an excellent resource for those who want an insider's view and conceptualization from the perspectives of psychotherapy trainees, their clients, and their supervisors.

Collecting is a wide spread phenomenon within our society. Many of us are involved in the activity of collecting and many more of us are fascinated by others' collections. Yet surprisingly little is known about how and why we collect. On Collecting examines the nature of collecting both in Europe and among people living within the European tradition elsewhere.
Gathering objects together is a universal human custom, yet every society collects in different ways. Susan Pearce looks at the way we collect and what this tells us about ourselves and our society. She also explores the psychology of collecting: why do we bestow value on certain objects and how does this add meaning to our lives? Do men and women collect differently? How do we use objects to construct our identity?
On Collecting breaks new ground in its analysis of our relationship to the material world. It will be of value to museums professionals and students, cultural historians and anyone interested in the phenomenon of collecting.

Series Information:
Leicester Readers in Museum Studies

Bringing together the most significant papers on the interpretation of objects and collections, this volume examines how people relate to material culture and why they collect things.

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

Charles R. Cockerell (1788-1863) was one of the most significant nineteenth-century British architects and a major player in the cultural shift from the Georgian eighteenth to the Victorian nineteenth century. Charles R. Cockerell (1788-1863) was one of the most significant nineteenth-century British architects and a major player in the cultural shift from the Georgian eighteenth to the Victorian nineteenth century. Cockerell's travelsin the eastern Mediterranean between 1810 and 1817 were the formative experience of his life. His forty letters from this period, held in the archives of the Royal Institute of British Architects and published here for the first time, give crucial day-to-day insights into his actions, thoughts and feelings in relation to the intricate histories of the re-discovery and sales of the Aegina and Bassae marbles and, equally importantly, illuminate his hugely significant work on temple architecture and sculpture in mainland Greece, the great cities of Asia Minor, and the significant temples of Sicily. Drawing on these letters, and on some 150 unpublished letters sent by his friends while they were all in Greece and now held in the British Museum, this book elucidates what Cockerell did and why by analyzing his methods of work and their significance. It discusses Cockerell's aesthetic and conceptual development during his time abroad, particularly his influential part in the changing vision of Greek sculpture and architecture, from Winkelmann's static ideal to one rooted in dramatic tension and contextual contingency. The book unravels the emergence of Cockerell's crucial historical perspective and shows how he arrived at a new view of the ancient Greek past as made up of real lived lives, rather than just existing as a back drop to the present. By offeringa complete edition of the RIBA letters, this book fills a significant gap in our understanding of the thought and work of one of the formative spirits of nineteenth century visual historical culture. SUSAN PEARCE is Professor Emeritus of Museum Studies, University of Leicester. THERESA ORMROD has extensive experience in archival research, manuscript transcription and editing.

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

Exploring what happens when love for family and love for religion overlap, this novel follows a woman swept into a religious cult, who believes she has been offered one last chance at salvation. With her deeper involvement in the cult comes increasing alienation from her daughter and husband, resulting in a dangerous entanglement of passion, ambition, love, and duty.

About one in three people in North America and Europe collects something. Collecting is clearly an important social phenomenon and yet surprisingly little is known about how and why we collect. This work explores the nature of collecting both in Europe and among people living within the European tradition elsewhere. The way people collect tells us about their notions of themselves and others, about their relationship to objects, and helps us understand people as consumers. Susan Pearce addresses many of the issues surrounding the practice of collecting. She considers how European collecting practice is part of an essentially European mentality, how collected objects have cultural value and how the individuals who collect them help to affect the society they live in. The text should be of value to museum professionals and students, cultural historians and anyone interested in the phenomenon of collecting.

This fascinating portrait of the Society of Antiquaries of London, founded in 1707, assesses the impact that individual Fellows and the Society as a whole have had in influencing the way we visualise and understand the past. There are, for example, essays on the Society's pioneering role in recording monuments and antiquities for posterity, in establishing the scientific and empirical basis of archaeological studies, in replacing Biblically based timeframes with a clearer understanding of deep time measured in millions of years, in drawing up the first legislation protecting ancient monuments, and in funding and publishing the great excavations of the last one hundred years, from Stonehenge, Maiden Castle, Richborough and Sutton Hoo to Aksum (Ethiopia) and Mons Porphyrites (Egypt). All the papers represent fresh and original scholarship and they tell us much about the Society's achievements (and some of the accompanying conflicts between personalities and ideas) over three hundred years. They are based on diaries, letters, minute books and confidential government papers and on portraits that chart the changing image of the antiquary from a figure of fun to heroic seeker of forgotten people and civilizations. Visions of Antiquity reveals astonishing echoes across time - from the repeated and continuing attempts to record all ancient buildings and monuments to the continuity of the title 'antiquary' to describe scholars who build bridges between different branches of knowledge based on the study of material remains of the past and of a Fellowship whose numbers have included prime ministers, bishops, peers and parliamentarians, as well as radicals and free thinkers, such as William Morrisand many of the founders of modern conservation.

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

At a time when being busy is worn as a badge of honor, and we are accustomed to filling every waking moment with (often useless or unpleasant) activity, Do Less. Be More explores why switching off, or at the very least, slowing down, is vital, to ensure we achieve what we want.Busy-ness is a barrier to self-reflection, a hindrance to novel solutions and a smokescreen to clarity. While cramming in one more task may feel useful, productive, or even satisfying, it's not always the best use of a spare moment. In fact, it will inevitably lead us to a place where we become less productive, less creative, less inspired and less satisfied with life.While we might think we don't have any space in our lives to do more of what is important to us, Do Less Be More offers readers 21 activities to reclaim even the tiniest moments, like waiting for a coffee, to rest their brains and, in so doing, rediscover insight, inspiration and fresh ideas.Learn how to ban busy and focus on what really matters with practical ways to say no and embrace silence, space and solitude.

Bronze Age metalwork has always caught the interest of archaeologists, largely due to the very large volume and variety of objects that is still being recovered on an almost daily basis. Regional catalogues have been repeatedly undertaken in an attempt to manage the sheer wealth of data and analyse the implications. In 1983, one Susan Pearce published such a study of south western Britain (BAR 120, 1983), contributing a catalogue of 896 find spots. This discussion embraced the wider understanding of metalworking in the region, how this fitted with traditions across the rest of the country and the European continent, and how the metalwork was integrated into prehistoric society. This volume is intended to bring the 1983 corpus of south western Bronze Age metalwork finds up to date by documenting finds made in the four counties between January 1980 and July 2014.The intention here is not to undertake a full re-examination of the south western metalwork and its context - such a discussion is beyond the confines of this publication - but instead to suggest some of the broad parameters within which such a discussion might take place, and to point to several key themes that have become prominent in Bronze Age studies since 1983 and to some that remain relatively underexplored. A digital copy of the 1983 corpus has been included on CD as part of this publication to allow access to the complete collection of find spots in south western Britain.

Why do some people thrive while others merely survive? It seems that the answer lies not in the circumstances that we each experience, but rather, in our individual brains. The human brain may have evolved over millions of years, but it still uses the same basic survival mechanisms as it did when our earliest ancestors walked the planet. In this modern world, these default threat responses, which were originally designed to protect us, are more likely to sabotage us and hold us back from experiencing all that life has to offer. Wired for Life explains why we think, decide and act the way we do. It explores the five fears commonly triggered by our brains' threat response - fear of failure, fear of losing control, fear of standing out, fear of missing out, and fear of facing the truth - and how these fears creep undetected into so many parts of our lives, impairing our ability to experience happiness, freedom, success and fulfilment. Drawing on their experience with corporate and private clients, the authors reveal a three-step process for harnessing the power of your mind, overcoming fears, and creating the life you want. It shows you how to Wake Up, Think Differently, and Grow, changing your life in often surprising ways. This book will help you understand your brain, providing insight into why you behave the way you do, make the choices you make and get the results that you do. Once you understand this, you will realise that changing your mind can actually change your life!

A collection of papers in honour of Henrietta Quinnell: 1) Hennrietta Quinnell: Rescue Archaeology, Adult Education and South West Britain (Susan Pearce); 2) South Western Hunter-Gather Landscapes (Paula Gardiner); 3) The Early Neolithic of South Western Britain: New Insights and New Questions (Alison Sheridan); 4) Pseudo-Quoits to Propped Stones (Tony Blackman); 5) Between the Channel and the Chalk: A Regional Perspective on the Grooved Ware and Beaker Pottery from the Mendip Hills, Somerset (Jodie Lewis and David Mullin); 6) Without Wessex: the Local Character of the Early Bronze Age in the South West Peninsula (Andy M. Jones); 7) Earlier Bronze Age Cemetery Mounds and the Multiple Cremation Burial Rite in Western Britain (Paul Bonnington); 8) Interpreting the Dartmoor Reaves (Andrew Fleming); 9) Telling Tales from the Round House. Researching Bronze Age Buildings in Cornwall (Jacqueline Nowakowski); 10) In the Footsteps of Pioneering Women: Some Recent Work on Devon Hillforts (F.M.Griffith and E.M.Wilkes); 12) Romano-British Brooches of Cornish Origin? (Anna Tyacke, Justine Bayley, and Sarnia Butcher); 13) The Early Medieval Native Pottery of Cornwall. AD c.400-1066 (C.M.Thorpe); 14) Multiple Identities in Cornwall (Peter Herring); 15) A Guinea Pigs Testimony (Judith Cosford); 15) A Students Progress (Susan Watts); Bibliography of Henrietta Quinnells Published Work, to 2011.

This clear and lively book, based on the understanding of collecting practice rather than collections themselves, provides an illuminating analysis of collecting as a major social and individual phenomenon in contemporary sociey. Pearce uses both qualitative and quantitative informaion to highlight the significance of collecting in relation to the cultural process, popular culture, contemporary attitudes to material culture, and the idea of collecting as a postmodern activity.

This clear and lively book provides an illuminating analysis of collecting as a major social and individual phenomenon in contemporary society. The book is based on the understanding of collecting practice, rather than the collections themselves. It highlights the significance of collecting in relation to the cultural process, popular culture, contemporary attitudes to material culture and the idea of collecting as a postmodern activity. Susan Pearce presents both quantitative and qualitative information from a broad spectrum of contemporary collectors and relates their collecting to broader issues of consumption, gender, family and social class. Accessible and original, Collecting in Contemporary Practice will be of interest to students, academics and professionals in museum studies, cultural studies, anthropology and material culture studies.

Attention is a most precious gift. It brings meaning, connection and happiness to our lives. Studies suggest that attention spans are declining, distraction is growing and we're more concerned than ever about losing the ability to perform the simple but crucial act of paying attention. It's one of the greatest concerns for current and future generations. One Moment Please shows that by harnessing the power of attention, we can make positive changes in our lives, including deepening our relationships, having more meaningful experiences and living in greater harmony. Martina Sheehan and Susan Pearse outline a few simple ways in which we can take care of our fragile attention and experience the vibrancy of a full life. Learn how to be more present, live more fully and experience the magic of life with these simple and powerful techniques!